The Sister Chapel

 Year Installed: 2016
Artist: Ilise Greenstein
Materials: Various
Dimensions: 25 ft diameter
Location: Westby Hall, 1st floor, Rowan University Art Gallery
Latitude & Longitude:
39.709889, -75.1215

The Sister Chapel was conceived in 1974 by Ilise Greenstein, who envisioned a monumental “hall of fame” in which women’s achievements would be presented from a female perspective. Greenstein’s participation in several feminist consciousness-raising groups and all-women activist organizations prompted her to question the enduring andro-centric view of history. Using a nominal pun on the Sistine Chapel, she proposed a secular, nonhierarchical alternative to the patriarchal system embodied in Michelangelo’s renowned ceiling fresco.

In the spirit of feminist solidarity, Greenstein collaborated with twelve other women, whose individual contributions shaped the character and appearance of The Sister Chapel. The artists collectively established uniform dimensions for the figure paintings and agreed that each canvas would depict a standing female “role model.” The particular subject and manner of execution were left entirely to the creator of each painting. As a result, the canvases form a visually cohesive group without diminishing the individuality of any artist. Diverse contemporary and historical women, deities, and conceptual figures populate the all-female pantheon of the collection. Above them, Greenstein’s enormous abstract ceiling features a mirrored center to remind visitors that there is no limit to women’s potential.

The Sister Chapel premiered in January 1978 at P.S.1, an experimental exhibition space in Long Island City, New York. The installation traveled to three other venues between 1978 and 1980, but its presentation was hindered by archi-tectural and spatial limitations. Displayed near the circle of monumental paintings was the model for an unrealized fabric structure, which was designed by Maureen Connor to house the abstract ceiling and figural canvases. To commemorate the return of this important feminist collaboration, the fabric pavilion has been constructed. For the first time, The Sister Chapel can be experienced as its creators intended.

~ Andrew D. Hottle, Ph.D.

*This article also appears in the Sister Chapel Catalogue.

More information about the installation:

Rowan University Art Gallery Sister Chapel | More Info

Sister Chapel Catalogue | More Info

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